Let’s get one thing out of the way, BATMAN V SUPERMAN: DAWN OF FRANCHISE is a terrible movie. and this is a huge bummer. Its script is a mess, both its screen talent and its characters’ legacies are wasted, and its action is shockingly boring. It may actually amount to the greatest disparity between potential and payoff that I’ve ever seen in a superhero film (and I’ve seen Fant4stic).Read More
[Full spoilers for Up follow]
[For the love of God, if you haven’t seen Up, please go watch it right now]
Pixar’s UP (2009) is one of my favorite films of all time. A masterpiece of smart storytelling decisions amount to what may be one of the most dense and tightly paced narratives in existence. Within 96 minutes the film effortlessly blends comedy, tragedy, adventure, and one of the most meaningful examinations of the human condition yet committed to celluloid. And in a format accessible to all ages! In its first 11 minutes, Up exhibits a more thoughtful, true, and heartbreaking love story than most films manage in their entire runtimes. It has to, because while Up is a film about Love, it’s equally about Loss. While these elements to the film are in the text, they’re also supported by an incredibly deep, yet seemingly effortless symbolism that perfectly represents the effect of loss on human Identity.
Up is all about badges.Read More
Hey howdy hey Powerwolf Pack! Welcome back for another exciting edition of the Mailbag, where we discuss all your most pressing thoughts and questions about the world of entertainment, and how it affects us. Today on the mailbag, we discuss progressive outrage and entitlement in the nerd community and the ever changing nature of genre.Read More
10 CLOVERFIELD LANE is not a sequel, prequel, sidequel, or any other “quel” to Cloverfield. Director Dan Trachtenberg, (whose only previous credentials were the direction of a Portal fan film,) called the film a “blood relative” of Cloverfield before his movie’s release, and Producer J.J. “Mystery Box” Abrams has since clarified that they were never meant to exist in the same universe. The current comparison is that they are as similar as one episode of The Twilight Zone to another. The title is meant to promise a weird, suspenseful, and possibly apocalyptic tale, and nothing more.Read More
Charlie Chaplin’s THE GREAT DICTATOR (1940) is one of my favorite films of all time. This has little to do with the distinction of being his first full fledged “talkie,” and more to do with its audacity in having the gall to satirize Adolph Hitler during his rise to power. The film came about a year after the start of WWII, and a year before the Pearl Harbor attack, when the U.S. finally deigned to dirty it’s hands in the matter. But production started before all that in 1938, the year that Germany annexed Austria. This was a year before the start of WWII and during a period when American censors and businessman were still either defending Hitler, or at least adamantly insisting that nobody piss him off. Even United Artists, the production company that Chaplin co-founded urged him to avoid the subject, worried about Hays Code censors and the possibility that the film would never be allowed in theaters.Read More
Welcome back Powerwolf pack! The Mailbag calls to us once again. This week we address the fluctuating target market of the superhero film and the nickel-and-diming DLC practices of the gaming industry.Read More
Based on the autobiography of war correspondent Kim Barker, WHISKEY TANGO FOXTROT’s struggles are similar to those of every movie that’s “based on a true story.” It can’t quite find its theme and dramatic arc, because real life doesn’t have themes or dramatic arcs. In real life, stuff just happens, and we make sense of it as we go. It isn’t nearly as satisfying or succinct, but if WTF’s plot is merely a day-in-the-life, at least its subject is the constantly amusing and engaged Tina Fey as a fictionalized Kim “Baker.”Read More
ZOOTOPIA is a success for Disney on many levels. Financially it just destroyed the previous box office opening weekend of Frozen. From an animation standpoint it’s setting new technical achievements. One giraffe in the film has more hairs (9 million) than the entire cast of Frozen combined, and the level of detail shows. But most of all, it succeeds in simply being a really good movie.Read More
There’s a conversation I’ve heard more than a few times that irks me. It goes something like this.
DUDE A: Man… I loved that movie! I can’t believe it only got 17% on Rotten Tomatoes!
DUDE B: I know, right? I’d give it at least 90%.Read More
Welcome back to the Powerwolf Mailbag! Today we discuss tentpoles and indie films. What would it take to topple Marvel? Is the low budget box office success story dead? Read below for The Powerwolf’s absolutely undisputable answers, (then dispute them in the comments section).Read More